Thursday, February 12, 2009
Saraswati Samman to Lakhmi Nandan Bora
Tuesday, December 23, 2008
Update : Assamese Literature
Just reached home; train delayed by one and a half-hour, due to foggy rail tracks. After a much-missed meal of local fish cooked with sukloti leaves, Delhi-talk with parents and uncle, making hello-I've arrived-calls, I take account of two hot latest developments in the Assamese literary circuit. The literary circuit is buzzing with it : lots of speculations, lots of responses. Waiting for the papers tomorrow.
Rang Bang Terang , the first tribal-Assamese to be the President of Asom Sahitya Sabha, 90 years after Sitanath Brahma Chowdhury.
Rong Bang Terang is elected the president of Asom Sahitya Sabha; the first tribal-Assamese writer to be so, after Sitanath Brahma Chowdhury. His novels are an evocative portrayal of the life of Karbis in Assam. Rongmilir Hanhi (Rongmili's Laughter)--the novel he is best known for--is regarded a classic in Assamese literature. This decision is welcomed with great excitement in the Assamese literary circuit as people think it will go a long way in cementing unity between the 'hills and plains'. This is also a historic event as after a long period the Asom Sahitya Sabha has given this recognition to a tribal writer. Asom Sahitya Sabha, the biggest and the most prestigious literary organisation of Assam has earned a bad name recently with various controvesies surrounding it. Indira Goswami's name was constantly raised but a few months back she told the media that she had 'no desire to be the president' of Asom Sahitya Sabha. Her preference to stay away from the body is seen as a reaction to the controversies. Rang Bang Terang's entry is seen as a major force that'd reclaim the somewhat lost glory of the Sabha.
The Assam Tribune 'Editorial' on Rang Bang Terang and Asom Sahitya Sabha
Rita Chowdhury wins Sahitya Akademi Award 2008
Sahitya Akademi Award 2008 (Assamese) goes to Rita Chowdhury, for her novel Deu Lankhui (The Divine Sword), though Ei Somoy, Sei Somoy, written on Assam Agitation, is her recently published work. She has been writing on the Assam Agitation ('79-'85)-a momentous event that changed the history of Assam forever--for a long time now. In fact most of her novels have reconstructed that event from various perspectives. The Divine Sword is her most ambitious, matured and mot well-researched novel. It was perhaps a very challenging task to recreate the ancient Tiwa legend, associated with King Jungalbolohu of the Gobha Kingdom, in middle-Assam.
However, this award will possibly be greeted with mixed reactions in the papers next morning as the literary circuit feels the award could have gone to Dhrubajyoti Bora for his large novel on caste issues in Assam Katha Ratnakar, Arupa Patangia's Phelani on the life of a group of women dealing in various ways the violent situation around them due to insurgency and couter insurgency, if not Rang Bang Terang for his lifelong contribution to Assamese literature and his latest novel Mirbin. Rita Chowdhury's novels are extremly popular for their gripping narrative, her ability to tell a story with "magnetic and magical language unseen in any other contempory writer in Assamese"(Debchaudhury, Binita Bora; Hundred Years of the Assamese Novel). Once you start reading any of Rita's books, she makes sure you it read till the end and that may be even as long as 500 pages : Ei Somoy, Sei Somoy (These Times, Those Times), is one such narrative, though not her best work. I think her magnum-opus, The Magic Sword, based on an oral legend, is one of the most wonderful works of contemporary Assamese literature. The world she conjures up around the legend--in the form of a 600 page novel--which is no longer than a page if written down, as available orally, is a commendable work. The evocative and detailed portrayal of the Tiwa tribe of Assam in the novel is another plus point. Its also takes a lot of linguistic risks by bringing in a number of Rabha words in the Assamese language. The novels stays long after you finshed reading for the new setting, the court intrigues, some memorable characters and the amazing story of a how a divine sword was smuggled out of the royal household inside a huge ragho-borali fish.
Sahitya Akademi awards for Choudhury, Narzary
On Rita Chaudhury's These Times, Those Times
Image : from Asomiya Pratidin website
Monday, December 15, 2008
Delhi University Poetry Reading : Featuring Poets from India's North East
Desmond L. Kharmawphlang, Nitoo Das and I shall read from our work on 17th December, 3pm 2008.
Venue : Room 12 (A), Faculty of Arts, University of Delhi, Chattra Marg, Delhi - 7.
All are welcome.
A Semi-Academic Essay On the English Poetry of the North-East by Sumanyu Satpathy
"Return to the Roots", a report in The Assam Tribune by Isawanda Laloo.
Thursday, October 30, 2008
We Have to do Something
I'm writing this after a very long day that started this morning with the news of the serial blasts seeping in to me bit by bit .
It was a day which I'll never forget in my life. And this is not because I made frantic calls to reach my mother, father, relatives, and friends to ask: "Ma, are you alive? Pita, are you injured."
Looking the the flames on the TV screen in Delhi, I was thinking something very different, something so unnnerving and benumbing and I wish I had the words enough to describe them for you all.
Wish I had a little more power than just cataloguing them, list them like a series of a items that Ma had asked me to buy from the market on my way back from tution.
Here is the list :
1. I thought, what'd have happened if one among those who were reduced to ashes were my father, mother, closest friend?
2. What would have happenned if one of the those cars that went up in flames was my Ma's Maruti 800, 'wit
h a lot of mileage,' as she says, and Ma was sitting inside it?3. What would have happend to my parents if one of those blackened bodies was my own?
These are such selfish thoughts. I was telling my friends here, "Hi, everything is fine at home and extended family." So selfish.
To look at it, aren't these people who died are also from my extended family? As I recognise myself as Assamese, doesn't this very fact make them my extended family since they are from Assam?
These blasts have left me probing for many such things. I feel I have been reborn and I wanted to share this feeling with you that this event has once again made me feel responsible for my state, that we have to do something; we, the future of Assam; we: who belong to the age group of 15-40 and have the future of Assam in our hands as we have education, security; we: the splinters who have left flaming Assam to study in Delhi, Bombay, Calcutta Bangalore, etc. we: who live in Assam, and love Assam and want things to change but don't realise until the flames knock at our doors. .
And that happened today. (But flames have been trying to lick us from long ago? Is it only Assam which is taken hostage?--The whole country is under siege by terrorists.) Ah, its already 2 am. It happened yesterday. Last morning. Who knows, how many more blasts await Assam. Who knows, which one of us will hear the news of a dear one's death in in forthcoming days.
We have to do something, and I'm yet to find out what is that. Last month, I tried doing something to that effect. Hurt with the central government's discriminatory treatment of Assam, the state government's inability to stand and work for the people during the floods, I bunked by classes for five days, stayed awake for nights and wrote an article. A friend who is a senior journalist was helping me place it in any of the mainstream journals; but as she tells me, seven places have rejected it. They gave three reasons : words space, such and such editor is absent and this is not in our agenda. I have posted the essay on my blog here for you all to read : Assam Floods 2008
It might take a long time. We have to be patient and especially the students who are here, away from home, we have to remain focussed; and the friends who are there, back in Assam, need to remain focussed too. And we can do that in several ways : the first thing is to keep us aware of what is happening around us. We have to do something. May be we should start this by shouting at the top of our voice that "We wil do something. No more the state shall oppress us. No more the state shall divide us. "

We have to do something. We should make people around us aware of what we feel, what are the injustices that Assam is facing, what is happening in Assam. We have to do something. We cant let Assam burn like this. We have to do something. 70 dead, 470 injured, 9 blasts in Assam. Flames are licking at our doors. The flames that we had tried to escape from, that our parents tried to save us from, for which we even endured the insult of being branded "escapists", are lashing against our doors, trying to burn us all. Some political parties will say, Islamic terrorists from Bangladesh have done it. Others will say, it could be ULFA. AGP and BJP will soon take out rallies and blame Congress and Congress will say, AGP and BJP has not done anything for Assam and soon, another series of blasts will happen; there will be more death, more protests, more blame game. It will continue. No one will ever know the true picture. We have to make that available for the rest of the country, of what is happening in the state, what is not being reported, what has been suppressed. We have to do something. We: the generation of sun-dreaders, who have left Assam since we couldn't endure the sunlight anymore. Dont you know, that Assam is the land of rising sun? Dont you know, even ULFA's flag has a rising sun on it? We have to do somet
hing : we have to make people aware of the reasons for the need of an exploitation free Assam, the root cause behind all the problems of Assam. We have to do something : we should take out our heads off our windows and say this; may be we should make forwards and send around the world; we should write letters to the newspapers. If we are not represented, its not in the agenda of the "mainland" of India to represent North East, we have to do something, and it has to be peaceful and democratic. I'm still trying to find out what, how, with whom. I'm still dazed. The flames have left me gasping for breath. Please write to me if you know what should we do now.love,
aruni.
Assam Floods 2008: The Untold Saga of Oppression, Denial, and Delusive Democracy
I shouldn’t be surprised. Considering that this is just a poor version of many racist/imperial myths that are available in Delhi about the Northeastern states. ‘All Assamese are ULFAs. Assamese rural households have rhinoes tied to their compounds. Dog’s throw-up is the favourite food of Nagas.’ Inspite of the fact that most of the NE states are heady
The denial of representation is a major contributing factor. The 2008 Assam floods in contrast to the media coverage of the Bihar-floods is another representative referential point that underlines the marginalisation of NE. The deliberate ignorance demostrated only points towards the powerful nature of the reasons behind the many insurgent movements in NE which not many ‘mainland’-Indians want to hear about.
Sitting in Delhi,
As I write this, a sporadic thought inhabits my mind: that this essay might just be shoved aside into the slush pile since the readers here aren’t interested in the ground realities of their country. Hence, my reponse, which perhaps ensures no increase in circulation, would be denied a representation, as always. So, I have to find out the stories that would be eligible for large fonts, which would qualify themselves to be supplemented with large, high-resolution ph
On August 25, 2008, when Prime Minister Manmohan Singh delivered his speech in Jorhat, the third wave of flood had already hit Assam inundating not only upper-Assam districts such as Lakhimpur, Dhemaji, Jorhat, Sonitpur, but also lower-Assam districts such as Morigaon and Nagoan. Local media published reports prior to his visit how the Dhokuwakhona flood-hit people remained without food and water from the government for the eighth consecutive day; thousands of people from about 246 flood-hit families sat on dharna with empty stomachs for food. On August 4, ten organisations gheraoed the DC’s office in Dibrugarh and shouted slogans demanding relief-materials for flood-victims. From June 9 to August 23, in Bhuragaon, about six villages were eroded away making 3, 462 people homeless and landless and also wiping off those villages from Assam’s map forever.
The Prime Minister came to Assam amidst this chaos. He delivered a twenty-five minute long speech to a crowd of fifteen-thousand people. For the crowd, congnisant of the ongoing flood, enraged with the illegal migrants’ issue, he didn’t leave any message. The Kosi disaster took place soon; the central government annouced a 1000 cr package for Bihar and called it a national disaster. Large quantities of flattened rice (chira), blankets, medicine, w
Amidst this, Chief Minister Tarun Gogoi, was quoted in newspapers that, he had about 700 cr rupees but Moi khoroshe kora nai. “Just that I haven’t spent it”. It only angered the people further since it raised doubts about the proper use of Central funds by the state government. People lost all hope in the Gogoi government and protests ripped apart an already troubled state. Writers and intellectuals commented forcefully on the situation allegaing betrayal and discrimination by the government. Opposition parties and pressure groups seconded. Nationalistic Congress Party burnt the effigy of the PM, demanding Assam-floods to be termed a national disaster too. In absolute bewilderment, the common public came to the conclusion that the relationship of Assam and Delhi is only imperial. Memories of 1962, Chinese Aggression came flooding back to the Assamese when Jawaharlal Nehru bid Assam adieu with a choked
The third wave of floods perhaps would be remembered as another referential point for Assam like ‘1962-Goodbye’ of Nehru. Tarun Gogoi continued to make defensive remarks, conforming to the biggest fear of the people of the state government being merely an agent of central government and that it didn’t represent the aspirations of the Assamese people. In lower Assam, after the PM’s visit, Barpeta, Nalbari, Darang, Kamrup, Bongaigaon, Baksha and Dhubri districts were submerged under impetuous river waters. Embankments overflowed and one river speeded to meet another causing further havoc becoming mightier and mightier. Seven people drowned in Morigaon. (Official figures didn’t take cognisance of this then.) Puthimari River washed away 2 cr rupees worth embankment. In Dolgaon, 50 lakh rupees worth embankment was washed away leading to a change in the course of Dhanashri River. The rivers Motongo, Balti, Benki, Manah, and Polli suddenly changed their courses and meandered across plains eroding all that they met on their way. Beki River alone eroded away the farmland of 150 families and turned them into beggars. By Sepetember 3, upper-Assam and lower-Assam was under the choric devastation of numerous major and minor rivers. 17 districts out of 25 were inundated, most of them for the third time of the year, 20 lakh people suffered, 90% of the river island Majuli was under
The need of the hour is about representation of the crisis on the national platform: the alleged discrimination of the Centre and the incompetence of the state government to tackle the flood situation. The underlying hope is that, if problems are focussed at the national level, they would be debated, people will know, and someone may try to lend a helping hand.
Since 1979, 10,000 Assamese youths have been killed by the Indian army in the name of counter-insurgency operations in a country which takes great pride in having the largest population of youths. Many women raped. Many people maimed. Many made to run and shot from behind. But no one speaks about it. When at one frontier of the county secessionist tendencies have raised its head, and the intellectuals in Delhi are divided for the first time on the Kashmir issue, in another frontier state Assam, another set of seeds for reasons of secessionist tendencies are germinating. Thus, the onus lies on the Central forces to emphatically negotiate these centrifugal forces. Otherwise, nobody knows when thousands of cathartic moments akin to the September 8 Dibrugarh-demostrations would rock the state and snowball into something so big, so dangerous, so uncontrolled with all the force of all the lunatic rivers of Assam that things will go out of hand not only for the state but also for the centre.
Sunday, October 12, 2008
American Center and Open Baithak present Bruce Berger
Monday
October 13
6.30 pm
Vasant Vihar
(Please contact me at
arunikashyap@gmail.com
for address and directions)
Open Baithak features non-fiction writer and poet Bruce Berger who is best known for a series of books exploring the intersections of nature and culture, usually in desert settings. Those works include the essay collection The Telling Distance, which won the 1990 Western States Book Award for Creative Nonfiction and the 1991 Colorado Book Award; There Was A River, whose title piece is a narrative of what may have been the last trip on the Colorado River through Glen Canyon before its inundation by Lake Powell; and Almost an Island, which recounts three decades of exploration and friendship in Baja California.
Two more books of prose are set in Berger's adoptive hometown of Aspen, Colorado: The Complete Half-Aspenite, an essay collection that won the 2006 Colorado Authors´ League Award for Narrative Nonfiction, and Music in the Mountains, a history of the Aspen Music Festival. Texts integrated with photographs include Oasis of Stone: Visions of Baja California Sur, and Sierra, Sea and Desert: El Vizcaíno. His articles and essays have appeared in the New York Times, Sierra, Orion and numerous literary quarterlies, and for three years he was a contributing editor at American Way, the magazine of American Airlines. He currently writes for the Baja California website:
www.planetapeninsula.org
Berger's poems have appeared in Poetry, Barron's, Orion and various literary reviews, and have been collected in Facing the Music. He has won the 2005 Colorado Authors' League Award for Poetry and been a featured poet in Light.
Bruce Berger grew up in suburban Chicago and graduated from Yale University with a B. A. in English. During graduate work at the University of California, Berkeley, wondering what Crater Lake looked like in the snow, he chucked his books down the library chute and left academia. He subsequently played piano professionally for three years in Spain, and more recently has played benefit classical recitals in Mexico.
However, this will be preceded by an Open Reading of poet performers
Registration for the Open Mic starts at 6pm and will be according to first come first serve basis. Due to limited time, we can't take more than 9 - 10 poets. Each poet will have 5mins to perform.
Refreshments : from 6 pm.
OPEN BAITHAK is a contemporary gathering of poets who want to perform and entertain. We name as our lineage mushairas, open mics, people's theatre, performance art, technology, storytelling and any other tradition that grabs our fancy.
For more information, email arunikashyap@gmail.com
Wednesday, September 24, 2008
Delhi University Poetry Reading Series IX
Poetry IX
Shehpar Rasool
and
Vinay Vishwas
shall read from their work
at
3 pm, 25 September 2008
Seminar Room, Sri Ram College of Commerce
University of Delhi
Shehpar Rasool teaches Urdu at Jamia Milia Islamia. He is the author of two collections of poetry: Sadaf samundar (Delhi, 1998), and Sukhan sarab (Delhi, 2002). His books of essays include, Urdu ghazal mein paikar tarashi (Delhi, 1998), and Naqsh-o-Rang (Delhi, 2007).
Vinay Vishwas teaches Hindi in the College of Vocational Studies, University of Delhi. His collection of poetry, Patharon ka kya hai (Rajkamal: Delhi, 2004) won the Sahitya Kriti Samman from the Hindi Akademi in 2004.
Thursday, September 18, 2008
India’s North-East: The Imperial Look
- When within a country, a region is marked according to its geographical direction as viewed from a central location, is it just a matter of geographical convenience or is the name intertwined with cultural attitudes and political interests?
- ‘North-east’ was first applied as a geographical directional name to a frontier of British India as perceived from a colonial power base, and then as an area to be differentiated racially and culturally from India or rather from a sanskritized India.
- Indic (largely Hinduaized) national culture treated various animistic or christianized tribal cultures of these ethnic communities as exotic and they therefore did not fit into their homogenizing visions. A sense of otherness troubled this relationship.
- The magic of pan-Indian nationalism has failed to work effectively here.
- The North-east, even for Independent India, is not simply a geographical identification.
Notes:
- For details of the reorganization, see various essays in the book Reorganization of Northeast since 1947 edited by B.Datta Ray and S. P. Agrawal (1996), Concept Publishing Company, New Delhi. Also see India’s Northeast Resurgent by B. G. Verghese (2004), Konark Publishing Pvt Ltd, New Delhi; Indira Gandhi’s speech inaugurating the North-east Council on November 7, 1972 in Selected Speeches and Writings Volume 3.
- Regarding British trading interest see B. K. Roy Burman’s remark in the prefatory introduction to the book The North-east Frontier of India by Alexander Mackenzie (2007), Mittal Publications, New Delhi. The remark regarding domination of the eastern branch of the Himalayas is my own interpretation.
- See Political History of Assam, general editor H. K. Barpujari and edited by S. K. Barpujari and A. C. Bhuyan, (1999) Publication Board. Assam & Planter-Raj to Swaraj by Amalendu Guha (1977), Indian Council of Historical Research, New Delhi..
- There are several histories of Assam which may be consulted. These include A History of Assam by Sir Edward Gait (1926) Lawyer’s Book Stall, Guwahati; A Comprehensive History of Assam by Swarnalata Baruah (2007), Munshiram Manoharlal Publishers Pvt Ltd, New Delhi. The Comprehensive History of India, edited by H.K.arpujari, Publication Board, Assam, Guwahati. Also see North-east India in Perspective edited by Rajatkanti Das & Debashis Basu (2005) Akansha Publishing House, New Delhi.
- See India’s Northeast Resurgent by B. G. Verghese
- David Scott in North-east India ,1802-1831 (1970), Munshiram Manoharlal, New delhi. Also quoted by B.G.Verghese
- See India’ s Northeast Resurgent by B. G. Verghese, page 31.
- I view that the British officials devised the Coupland plan in order to retain a strategic foothold in this region so that the British Government could be a player in the power-politics of the subcontinent even after they relinquish sovereignty in favour of the national governments of India and Pakistan. B.K.Roy Burman in his article ‘Sixth Schedule of the Constitution’ included in the book Autonomous District Council edited by L.S.Gassah (Omson Pulication, Guwahati, 1997) says in another context that commercial interest was also a reason (page 21 of the book) as the area was resource-rich. I have not accepted this point as till the British left India valuable mineral resources were not so much discovered in the hills of the North-east.
- See the article “Nation-building and Politics in the Northeast Indian Hills” by S.K.Chaube in the book Tribal Movements in India vol 1 edited by K.S.Singh (2006), Monohar Publishers, New Delhi
- Also read the chapter “The Naga Imbroglio” in B.G.Verghese’s above-mentioned book
- See the book The Bengal Borderland bu Willem Van Schnedel (2005), Anthem Press, London
- See article “Assam Nagaland Clash” by Satish Chandra Kakati (1996), Assam Book Depot, Guwahati
- Article “Indian National Project: Failures and Successes” in The Online Journal of Peace and Conflict Resolutions, Issue 3.1, March, 2000.
Poems in Pratilipi : 'Where the Sun Rises', 'Journeys', and 'Fake Boots'
(Letter from an Assamese girl to her insurgent lover.)
First published in Pratilipi अगस्त 2008 / August 2008
If you come back,
There will be no sun,
like the day when we met for the last time in your room.
And there were no rains, but only thunder and stars.
ARSD hostel, wasn’t it? There was no sun,
but we spoke about tomorrow’s sun
that will gaze at its face in the mirror called the
Red River.
If Brahma wouldn’t have married, and Parashuram
wouldn’t have killed his mother,
this river, the mirror of the rising sun,
would have remained tumultous, caged,
like this heart today, in the Parashuram Kunda, forever.
If you have a mother, and a father
who still earns and orders, you can’t bathe there.
If you bathe there, all sins are washed away
Like peace, after the sun rose in Assam in a green flag.
Parashuram bathed there, and like blood, his axe descended
But still, he is the mother-killer.
Parashuram, there is blood on your hands -
your mother’s.
If you come back,
what will you bring?
the Red River is redder now.
During independence Rupkonwar sang a song,
jingoistic, nationalistic: we aren’t scared of sacrificing our lives
we will make the Brahmaputra red with our blood,
On the altar we will lay down our necks,
even if the priest runs away terrified.
What will you bring?
Those days are no more,
Those days: when young Assamese men sang so that the whites would go away
Sang, so that more young men would come and join the processions.
Green was there, even in that flag,
And if there was blood in nineteen-forty seven,
there is still,
the Luit has become redder, only that’s the difference.
I don’t know what happened in Burma’s forests,
Did you bathe in the Lake of No Return?
What will you bring for me, if you come at all?
mosquitoes, malaria, wounds and jaundice?
Or hunger for flesh and food to the point
where flesh will be food
and food will be flesh
Flesh will be food and food will be flesh
Flesh and food.
Nobody will cook for you,
Nor me.
Flesh and food are the same now,
A redder river weeps, not for you,
But for peace and a natural sun rise,
Yearns for redness from the sun floating between clouds,
Not in a green flag.
Trees moved along, clouds too
Actually, stamping our feet
but surprisingly, her motionless, senseless body made us run around
So more feet stamped while they sprinted anxiously
Poems in 'Postcolonial Text' : 'The House With a Thousand Novels' and Encroachment'
First published in Postcolonial Text Vol 4 No 1 (2008)
This is a house, L-shaped,
seven-hands high; soil-veranda—
with twenty-one novels in it.
Every evening, five daughters beyond the banks,
who rested like bees in other houses,
with higher lower or equal soil-verandas
and more or lesser novels,
lift a night-black iron cauldron
so that it squats on the hearth.
This is a house, with twenty-one novels,
forever spanning
in episodic form, like long yarns.
In the room facing the east, where the eldest son lived
an almirah stood, with termites battling against it—
every night, along with the odious I’ll-take-you-away-song
of the bespectacled inauspicious barn-owl;
proud, filled to the neck, with a thousand books.
Many of them were novels.
Popular, unpopular, pulp
erotic (hidden between old “important” newspaper cuttings).
This is a house with eight doors,
seventeen windows, no ventilators.
In summers heavy with sweat and skin
snakes creep in for coconut-water-cold soil,
coated cool with greenish cow-dung
the epidermis of the seven-hand high veranda.
Everyday someone comes in—
leaving rippling traces forever
like generational earthquakes:
barrenness, adultery;
A married daughter, beyond the banks, comes back to
disrupt diaries;
A worker runs away, digging up hidden gold jewellery
from one of these story-ridden rooms.
This is a house, with
a thousand serialised novels
floating in the heavy air.
Someone shrieks everyday.
Someone reads the caws of the crow and expects guests.
Picks up a mosquito from the milk and prays that no one dies.
Lights a mustard oil lamp in the household’s prayer-room singing
pleading songs.
And children carry love letters for peanuts from here, from there,
leaving traces of story
to be ruminated forever:
with meals.
At night, around winter-fires,
the chewing and grinding of betel-nuts,
while lifting the iron cauldron
This is a house with a thousand novels
(or more).
Every window or a room that mourns for a vent
treasures a story in it, which
no worker can run away with;
more precious than gold
buried deep enough, deeper than
a spring, a well
so that it lives forever and grows
like tears, hair and serialised novels in journals;
inadequate to live anymore
in a wooden almirah eroded by termites.
First published in Postcolonial Text Vol 4 No 1 (2008)
I have known this river like tea leaves.
I have bathed, ran on its wet sands.
Grappled in its shallow banks for fishes and caught tadpoles.
Sometimes, avoiding restrictions I have even plunged naked
into its arms.
Hence I know, it has young blood in it.
And many cultures, ammunitions that have sunk into it.
They lie like treasures, loot
of seventeen victories against Mughals
over six-hundred years by Ahoms
I have touched its chest, its shallow.
When it swells under weeks of rains
river-dolphins show their tails like mermaids,
just one glimpse
showing displeasure over constrained spaces.
We are the generous ones,
always embracing
not hollow men.
Only time has made our hearts narrow,
our spaces constrained just like this river’s bed
In eighteen ninety-seven
it swelled like rain clouds.
Paddy fields moved like sea waves
villages sank creating lakes
And one of those first sun hills,
cracked open.
And Digāru flowed down like Gangā
from Śiva’s whorls.
In this way we have made spaces.
Even for new rivers and lakes.
Sometimes villages too.